In Linchpin, the style is more direct, more emphatic and more personal than in the past. The key word in that sentence is “more” because it isn’t as if he hasn’t written that way previously. It is simply more.
Other people also write in this way and there is a good reason for doing so. I see it best illustrated by setting it against my own writing in blog posts.
I have a bad habit of equivocating. That isn’t an issue in Linchpin. Godin is direct and doesn’t fudge his statements. That makes for greater impact and thus effectiveness.
I think there are a few reasons why I equivocate. The first is the really bad reason. I don’t want to make a firm commitment to a statement I’m making. That is so very bad. I hope I don’t do that too often.
Another reason is a good one, but done to excess becomes a problem. I want what I write to be conversational. I don’t want my writing to come across as academic or formal. I want it to read in a way that you can “hear” someone speaking it in conversation. So I put in the odd conversational phrase, more or less, kind of … Like that, at least every so often. It’s okay occasionally, but done too much it undercuts what has been written. (Those italicized words are an example of what I do.)
The last reason is because I want to remain open to other perspectives. I don’t want to be dogmatic. This may be a well-meaning reason but it undermines the writing, makes it come across as non-committal and just reads as namby pamby. You can’t be all things to all people all the time. Take a position and live with it.
Godin does this in Linchpin and the book benefits. It is effective and engaging – partly for what it is about and partly for how it goes about it. It is direct and doesn’t equivocate.
If you’re writing, don’t be like me. Be like Seth.

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